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One Bound

The daisy appears delicate, its white petals gently fringed with pink and the Archimedean spiral of the yellow centre shouting its colour against the green of the lawn. But it is robust, refusing to disappear under the attention of the lawn mower, its white spots breaking the stripy green of the mown grass. I first made a painting of the lawn in 1968 whilst in college, and I still find mowing the garden one of the essential pleasures of life, both visually and through the wonderful scent of new cut grass.

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Blast from the Past

Their generation made the opportunities for me, their votes changed the country for the better, making me the first in the family to have a University education, enabling an NHS to save my life several times over. They would be despairing of a political class that allows health and defence to crumble whilst engaging in spending billions on foreign aid in a form of national ‘virtue signalling’

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Valley of the Shadow

I went in to have my biopsies take under general anaesthetic. “Ha” said the anaesthetist, “you’re the artist aren’t you, we’ve seen you before”. I said “that’s right – I’ve had four operations recently, I get a fifth free…” Mirth all around. I’m still laughing…

I am working on another in the ‘Andreas Daisies’ series. The first is now in Seattle (my 4th work sold into the USA), and this is a larger and more complex third daisy image. It is strangely jittery working, not because of anything to do with the image, but entirely to do with the tests and operations of the last four months.

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Disintegrating Daisies

We all belong. When chaos and disorder threaten or, even, occur, then change results. Current events show how those oppressed by rules can use the orderly rule based process of the state to change the world. The demagoguery of politicians or individuals of conviction can still change the world unpredictably. This process I mirror in my paintings. In an orderly way, I use a rule based approach to create images of chaos that in turn take on their own order and beauty.

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The Wrong Shoes, eh Gromit?

It stands erect, ringed in red and white. The dark wilderness of its base set aside from the billowing white up swelling of the chalk cliffs behind it. Thrusting upwards in public warning, its tip glazed and different to its shaft, it stands out by day attracting the attention of thousands who come to gaze down on its magnificence.

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Aftershocks Continue

Once more I experience that feeling of dread, but not as intensely this time, just a frisson of fear.  Now too I have a programme of work stretching ahead with both camera and the studio which will sustain me, distract me and give me a range of creative problems to worry about. Life is taking over again from fear of death and the Horseman has retreated.

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Picking Daisies

how the decision making with the lower daisies challenges just as much as those at the beginning. The balance of dislocation of the image colour against the line drawing, edge versus surface, constantly hovers on the brink of disintegrating into chaos – which is ,of course, largely what I want. If the viewer feels uneasy, challenged, discomfited by assumption versus reality of the image, that too is a desired result. The double take.

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Collecting Artist Prints

In art college, I began looking at collecting the work of other artists, starting with work by friends like Geoff Turpin. This expanded into trying to buy the work of established ’names’, underpinned by the feeling that the only way I could hang my work on the same wall as, say, Patrick Caulfield, was to buy a work of his to hang alongside mine at home.

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