Category: BRotS

  • Marine Growth

    It’s been a tough year. Is that what happens as one ages – each year gets tougher? Physically I have always tried to exercise, even buying a share in a central London gym once at the height of the gym investment craze. Great place to exercise. Went bust of course. I used to cycle from…

  • A Renaissance

    A Renaissance

    My processing also starts with traditional visual ideas, with looking, then progressing maybe from drawings, more often from digital photographs which I crop, process and alter on the computer before drawing to refine/define further, taking onto a larger scale through works on paper and then distil onto my larger scale canvases. The camera technology has…

  • Apple Blossom Time

    Apple Blossom Time

    The super-rich may buy islands but for most some personal mobility was a blessing – but also a curse as children moved further away from parents and family support mechanisms broke down. The ‘nuclear family’ as a concept seems to be under threat. A younger generation now needs to redefine family and nationality, bearing in…

  • Knock Knockin’

    Knock Knockin’

    Mama, take this badge off of me I can’t use it anymore It’s gettin’ dark, too dark to see I feel I’m knockin’ on heaven’s door Bob Dylan  Several of us on Twitter and Facebook keep a daily visual diary of the changing months. I take mine from the same spot (approximately) in the garden…

  • March March

    March March

    “March March to my own drum, March march to my own drum Hey hey I’m an army of one Oh i‘m an army of one Tell the ol’ boys in the white bread lobby What they can and can’t do with their bodies Temperatures are rising, cities are sinkin’ Ah cut the shit” Dixie Chicks…

  • A Bit of a Blow

    Its quieter now. We are I guess, some 400 yards from the beach, and the persistent thunder, a little like traffic noise, has gone. The sun is shining, and the weathermen and women can stop panicking until the next stiff breeze comes along. My admiration for those who persist in living in cottages at Cuckmere…

  • Fisherman’s Tackle

    Fisherman’s Tackle

    The last of this set (but not the end of the series) worked the net more loosely . There is a conflict between my desire to tread that line between reality and abstraction that gives me a problem with taking this larger, and the canvas may well end up being destroyed.

  • Loss of Innocence

    Loss of Innocence

    The world is in a permanent flux as technologies change the way we live and work, communicate, and manage our interpersonal relationships. The loss of innocence has accelerated generation by generation, but the increased availability of information and knowledge has generally led to people living in ‘silos’. What do I mean by this? Let me…

  • Doorway into Dreams

    Doorway into Dreams

    In my last piece To See or Not to See I talked about photography. It was of course the driver behind much of the change in artistic perception, from Muybridge to commercial soap adverts (Bubbles), all building and subtly altering the way people see or use their eye/brain combination. This obviously impacts visual education, where…

  • To See or Not to See

    To See or Not to See

    This is an image made by merging  from one day on Winter, Spring, Summer and Autumn into a composite photo of the year 2020. A bit like an acid trip, it shows how the imagination can be more powerful that any drug – and as addictive

  • Trusting or Rusting?

    Trusting or Rusting?

    For over eighteen months I have been working from images of my local sea defences, fascinated by the complexities of colour and texture generated by their decay. Sheet metal supposedly protecting the concrete structure that in turn protects a sewer treatment outfall, nowadays just a storm drain. We’re told. If you can believe anything a…

  • An Artist’s Statement

    An Artist’s Statement

    I first started using a camera ‘as a lad’ and sold my first photograph to an American collector when I was 17, back when images were recorded on film and had to be printed out on paper. I still print the images I use on paper, but now as giclée’s at A2 or A3 on…