Category: Design
-
An Artist’s Statement
I first started using a camera ‘as a lad’ and sold my first photograph to an American collector when I was 17, back when images were recorded on film and had to be printed out on paper. I still print the images I use on paper, but now as giclée’s at A2 or A3 on…
-
Colour Conundrums
Changing light changes perceived colour and then it is exaggerated in post image processing. Here sea-fret filtered sunlight altered how colour was ‘seen’ both by may eyes but also by teh algorithms in teh camera itself – never forget what you get is filtered electronically according to the aesthetics of the technicians employed by the…
-
Art Subsidies – the Dead Hand of Conformity
The Prado Museum, one of the world’s biggest art galleries, cannot find 885 of its own works, according to Spain’s Audit Court. Some years ago, I was a part of a group of artists organising group shows in galleries throughout the English North West, as well as my solo exhibiting. I had a very large…
-
Beholden Eye
Beauty is an individual concept formed in part by social agreement, – you buy into what the media present, and what is current fashion. Maybe you will be baffled by my enjoyment of this piece of rusting beach architecture and agree with my partner who says in slight bafflement, ‘beauty is in the eye of…
-
300 Days
My Verdun Triptych has now found a new home in a local public school, and there’s a story behind this dating back to the 1970’s. When I complete my degree course I was upset to be handed the application forms for a posts-graduate teaching course. This seemed like a vote of no-confidence by the college…
-
New York in 1945
It’s a wonderful town, we all know that. My first visit, as a young artist and college lecturer, was on Laker’s Skytrain from Manchester, £99 return for the US independence bicentennial celebrations in 1976. I took hundreds of images of skyscrapers and made my money back with a mini lecture tour of groups in Lancashire…
-
Seeing (in Shoreham)
In my search for beauty (and remember, beauty is in the eye of the beholder) I treasure what I see every day. My art is based on the images of my own landscape – my garden predominantly, including recently the everyday washing line. It is not limited to this area of course and I use…
-
Square Peg?
All my paintings start from my enjoyment of my visual world, and the image stories I create and show on my Facebook page are as important an expression of this for me as the more formalised realisation of ideas in the studio. As to where I go from here only time and work will tell.…
-
Hotel Review: Kasbah Angour
Place: Kasbah Angour, Tahanaout, Nr. Marrakech, Morocco Type: 4-star Hotel Operator: Owner and Creator Paul Foulsham Web: http://www.Kasbahangour.com Date of Visit: March 2019 A man with a dream – no, a Yorkshireman with a dream. A geologist working for oil companies buys a barren hill some 40 kilometres outside Marrakech and starts to create an…
-
Bauhaus & Me #5 Workshops
As art and design courses are threatened by forces from either within or outside of their institution, they tend to curl inwards protectively. The advantage that Gropius and his successors had was that they ran an institution that was dedicated to the art, from architecture through to weaving. They understood and fostered lateral thinking and…
-
Bauhaus and Me #4
Death of a Dream In looking back at how the Bauhaus influenced and guided my own artistic, design and teaching practice I have come to realise that in the UK the art colleges are dying. The students are as bright and clever as ever, but the system is inimical to the spirit created by the…
-
The Bauhaus and Me #3
Albers used paints straight from the tube showing how colour against colour changed perception of each in juxtaposition. Seeing change in a stable situation suggested that change in life could be seen too when it seemed unchanging. As one critic remarks, when these painting appeared in the 1950’s it marked the end of the Bauhaus…
patrickgoff.com 