Category: painting

  • Paint’n Place

    From Monet to Hockney – recognising that location is important to an artist’s oeuvre. Examples from my own art over the years reflecting Lancashire, London and Sussex

  • Bridget Riley at the De La Warr Pavilion

    Bridget Riley at the De La Warr Pavilion

    The exhibition at the de La Warr Pavilion in Bexhill-0n-Sea explores Riley’s development in a linear way from the initial disturbingly disorienting black and white images through more disturbing curvilinear colour work to the calmer more lyrical recent works.

  • Honeysuckle Sun

    Honeysuckle Sun

    First step always these days is the camera, which I use instead of drawing. This image was taken with a Canon 100mm macro lens, which is stunning for flower pics. The range of colour is wide

  • Grid Lock

    Grid Lock

    We use grids daily. Sometimes we don’t recognise them as grids, such as in a car park. Sometimes we label them with other names such as ‘cells’ when in a spreadsheet for example, or ‘apartments’ in a block of flats. Pixels in digital imagery work as a grid. Grids provide a framework for colour

  • A Waiting Game

    A Waiting Game

    The gallery is unusual with at its heart the 13th century wine merchants ‘shop’, or at least the cellar he used to deal his wines from. Looked after in part by English Heritage its flint rubble walls proved to make a fine background to my work.

  • Cut and Run

    Cut and Run

    I’ve been playing with cutting up and collaging imagery. I have been using an Albers-like square to explore colour in plants from the garden. Sometimes I have been mixing the mark with imagery directly, not in the sense of filling colour into the image but treating image and colour as separate and complementary parts of…

  • Hanging About

    Hanging About

    I rarely drive across a drawbridge. Especially one where the door have to be held back, their ancient bolt heads securing the planks barely an inch either side of the car (contains stunning flower images)

  • Frigid English Beauty

    Frigid English Beauty

    The French say English women are beautiful but cold, maybe because they don’t all go in for two hour lunchtime trysts (funch to American apparently) as French women are reputed to do. If true of course, then these images of frozen roses are a great representation of England.

  • It’s all a Performance

    It’s all a Performance

    Art is a language and all language is about communication. It takes a transmitter and a receiver, and all art need s an audience as without an audience it is like a proverbial tree falling in a forest… so the website is my new stage on which my performances in the studio can be critically…

  • A Reaffirmation of Life

    A Reaffirmation of Life

    About exhibiting: Having work framed up to present formally to an audience can be intimidating (as well as expensive) but is an essential part of the creative process. After all unseen work is like the proverbial falling tree in the forest – if no one sees it does it happen? The purpose of art as…

  • Art is a Language

    Art is a Language

    In the same way that a new play or poem re-uses language so art re-uses the visual work of others, extending knowledge through pushing ideas further. Thus Hockney continues to develop an understanding of the visual world through the use of cameras and drawing that enriches our understanding of the world around us. The language…

  • Constable clouds and Stella stripes

    Constable clouds and Stella stripes

    So the drawings continues to develop as I work at the same time with the photographs that combine with colour notes in the sketch book to form the base from which the ideas are developing.