by Patrick | Jan 6, 2021 | art, art as language, drawing, Lifestyle, oil, Op Art, painting, pastels, photography
Time for a little about how I’m working. I am fortunate to have a dedicated studio, not large but a bit bigger than the space I had as a student at Cosham in the 1960’s and large enough for a layout that has allowed me to develop a working discipline. I have the usual...
by Patrick | Jan 2, 2021 | art, art as language, drawing, Environment, Op Art, painting, pastels, photography, Uncategorized
It has been a while since I walked down to Cuckmere Haven. During COVID lockdown I kept hearing rumours of it being overrun with visitors and the road up to my usual parking place, Seaford’s Barn, was jammed with cars. Then I began to hear from friends, aware I was...
by Patrick | Dec 20, 2020 | art, art as language, drawing, Environment, Lifestyle, painting, pastels, photography, Travel
Among the many images I have collected of the #BRotS (see The Bridget Riley of the Shingle for explanation) are images of the defences at the mouth of the Cuckmere, part of a system aimed at protecting the internationally famous and genuinely iconic Coastguard...
by Patrick | Nov 23, 2020 | art, art as language, drawing, education, Environment, Garden, Lifestyle, Op Art, painting, pastels
With the BRotS #20 completed it was time to move on to canvas. You’ll know from my previous piece how I see the division between the research works on paper and what I regard as the more formal realisation of ideas on canvas – the mythmaking and then the ritual....
by Patrick | Sep 21, 2020 | art, art as language, drawing, Environment, oil, Op Art, painting, pastels, photography
Working through the ideas around the imagery of the lavender, I realised that the way I was approaching the colour and the way I was approaching the structure of the painting I was sliding into a second version of the border ‘Geranium’ painting from some years ago....
by Patrick | Sep 4, 2020 | art, art as language, drawing, Environment, Garden, oil, Op Art, painting, pastels, photography
The starting point for my paintings is always some piece of observation. Sometimes it is recorded photographically, on other occasions by drawing directly in the sketch book. Whatever the starting point I always progress through a series of works on paper exploring...
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