Tag: acrylics

  • Art Flowering

    Drawings and paintings of Poppies, geraniums, windflowers explore colour and space. Interlocked with the grid of experience they shift and move creating jewel like experience of colour illusions, paralleled by allusions to distortions and disruption social structures inflict on innocent lives.

  • Autumn Lives

    Autumn. The heating goes on again. Sunrise is after breakfast. The first gales blow more and more leaves off the trees. Rain starts to be more frequent, harder, sometimes horizontal.  Long coats appear, the barber talks of wearing his Barbour when he walks his dog

  • The Dustman and the Baroness

    The Dustman and the Baroness

    The studio occupies a corner at the bottom of the garden. Despite the interruptions that come from the last two years of medical interventions I am once again in a most productive painting place. I am working through many issues addressed 40 years ago, facing similar questions and finding similar answers. At this rate I…

  • Another day, another poppy

    Another day, another poppy

    I use acrylic, and my palettes are old plates. I have discovered that acrylic paint will stay wet on the plate for days if it is covered – except for the colour you need, mixed and used yesterday, which of course dries out and can only be mixed again with great difficulty…

  • A Second Growth of Honeysuckle

    A Second Growth of Honeysuckle

    As I work towards the latest exhibition there continue to be differing strands through the work. This latest painting follows the path of the grid paintings, but my mind is now turning to large scale drawings again, as I did for the Sunlit Wave series (also to be in the Seaford October 2016 show) and…

  • “Nameless, Unreasoning, Unjustified Terror “

    I’ve survived the turmoil of the last eighteen months by focussing on my painting, despite the frustration that every time I start to become totally involved with it, I spend time in hospital again. It is inhibiting to be not fully fit as for me drawing has become a fully immersive physical experience

  • Creative Compulsion

    Keeping the creative activity moving steadily along rather than in disjointed fits and bursts has been difficult with painful and intrusive medical procedures getting in the way. Not least these have impacted mentally. Strange how physical the activity of painting is for me and how much ill health impedes the activity. I can understand something…

  • Tunnel Vision

    Tunnel Vision

    Maybe too the use of dark colour, deep violet and grey through to black also reflects what I characterise as a Durer figure of death sitting on my shoulder. However, my belief in art sustains me and I have started working on the next paintings.

  • The Cat Sat

    As students at Corsham each year we had to empty our studio spaces, scrape the floors and paint the spaces – floors grey, walls white – ready for the end of year show. Whilst I started off my studio with the grey floors and pristine white walls I think the space will have to be…

  • Going through a Purple patch

    My art is intended to reflect a view of reality, but the writing extends this through process outside the studio, sharing my visual world through

  • The Bridget Riley of the Shingle

    The Bridget Riley of the Shingle

    On #Seaford seafront I find all this present, almost as a standing art joke to be enjoyed over and over on my walks. It seems to me that part of the rǒle of the artist is to represent realities that are around us as they see them, and in turn make us look differently at…

  • A Riot of Colour

    I work on paper on the wall using oil pastel, and the scale is important as it has to be large enough to contain the energy of the stroke of the arm and the intensity of the colour application. Using pastels enables me to mix colour in an almost pointillist way in the sense that…