Tag: Arts
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In a Mad World
Sandberg died in 1984, a true creative and social hero. The show shows both the man and his work. It is small but beautifully formed and makes the trip to the de la Warr Pavilion well worthwhile
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The Cat Sat
As students at Corsham each year we had to empty our studio spaces, scrape the floors and paint the spaces – floors grey, walls white – ready for the end of year show. Whilst I started off my studio with the grey floors and pristine white walls I think the space will have to be…
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The Bridget Riley of the Shingle
On #Seaford seafront I find all this present, almost as a standing art joke to be enjoyed over and over on my walks. It seems to me that part of the rǒle of the artist is to represent realities that are around us as they see them, and in turn make us look differently at…
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Chicago Style
Arguments still continue about Wright’s use of colour, and a long debate raged around his 1959 Guggenheim Gallery in New York, now painted white although the belief was that it was originally a buff colour (photo dates from 1976). Like his own home the Guggenheim was designed from the inside out.
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Sunset Colour Cliché Conundrums
Using large prints of the photographic images I collage the sunset realities with my interpretations in oil pastels. In turn the oil pastels are also photographed to give a commonality of paper, size, texture and colour quality for the collages.
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A Riot of Colour
I work on paper on the wall using oil pastel, and the scale is important as it has to be large enough to contain the energy of the stroke of the arm and the intensity of the colour application. Using pastels enables me to mix colour in an almost pointillist way in the sense that…
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Paint’n Place
From Monet to Hockney – recognising that location is important to an artist’s oeuvre. Examples from my own art over the years reflecting Lancashire, London and Sussex
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Bridget Riley at the De La Warr Pavilion
The exhibition at the de La Warr Pavilion in Bexhill-0n-Sea explores Riley’s development in a linear way from the initial disturbingly disorienting black and white images through more disturbing curvilinear colour work to the calmer more lyrical recent works.
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A Waiting Game
The gallery is unusual with at its heart the 13th century wine merchants ‘shop’, or at least the cellar he used to deal his wines from. Looked after in part by English Heritage its flint rubble walls proved to make a fine background to my work.
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Hanging About
I rarely drive across a drawbridge. Especially one where the door have to be held back, their ancient bolt heads securing the planks barely an inch either side of the car (contains stunning flower images)
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Frigid English Beauty
The French say English women are beautiful but cold, maybe because they don’t all go in for two hour lunchtime trysts (funch to American apparently) as French women are reputed to do. If true of course, then these images of frozen roses are a great representation of England.
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It’s all a Performance
Art is a language and all language is about communication. It takes a transmitter and a receiver, and all art need s an audience as without an audience it is like a proverbial tree falling in a forest… so the website is my new stage on which my performances in the studio can be critically…
patrickgoff.com 