Tag: Canvas
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Boldly Go
The squares in the drawings hint at structure, organisation. The colour is non-organic, contradictory, breaking down the square structure. An Homage to Albers. Reflect the outside world intruding. The square enables me to play games with visibility/colour relationships, tonality whilst maintaining a comparability between pieces. The square has/represents powers beyond the image, stability (security?). The…
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Art Subsidies – the Dead Hand of Conformity
The Prado Museum, one of the world’s biggest art galleries, cannot find 885 of its own works, according to Spain’s Audit Court. Some years ago, I was a part of a group of artists organising group shows in galleries throughout the English North West, as well as my solo exhibiting. I had a very large…
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Grid Locked
J.S. Mill said in effect freedom is the ability to challenge the rules, the grid of laws and social convention. As artists we should challenge, change, innovate not conform to other expectations. The grid of galleries, art market and critics are not the arbiters of quality but a reflection of a reality unrelated to art,…
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Mining the Past
“did the grid” of squares I have used for years, represent “the same mental repression I was criticising in the other artists’ work” she asked? This brought me up short. I have used the grid for many years, for many of which I was locked into a marriage that was loveless. I justified the grid…
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The Nature of Art
I continue to find beauty on my walks, the latest interest sparked by the colours of spring blossoms falling into the gutters around my small town of #Seaford. Beauty may be in the eye of the beholder, but if artist are to regain their position in history as the visual priest/magicians of our world, then…
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The Bauhaus and Me
The Pre-Dip or Foundation course was not seen by them as a necessary diagnostic for young aspiring artists and designers but as a course without parallel in other disciplines and which required investment over and above that for the diplomas and degrees it serviced, forcing a constant battle of justification in an area that was…
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Memory Maps
For now, I am like a Greek god maliciously deleting houses, whole roads and communities, removing data as preparation for adding new information. In a sense I am priming the canvas, making ready to create a new mythology. I am changing the meaning of the map from map into a piece of artwork.
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The Everyday
artists use what they see or find around them as a starting point. Whether it is a wheat field by Van Gogh, a grass field by Wyeth, a picnic table by Caulfield or an unmade bed by Emin, artists take from what they see or experience and transform it into a reflection of their own…
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Processed Buddleia
It started, as most paintings do, with a walk. A regular cut down a ginnel (‘ginnel’ is Lancastrian, it’s known as a ‘twittern’ in Sussex speak, I’m told) on my walk into Seaford centre took me under a beautifully coloured buddleia. I took several photographs trying to capture the halo of complementary colour created by…
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Process
In previous pieces, such as the one on the Brexit Daisy, I have described the grid as a part of accidental politics. As I have been spending longer and longer submerged in the studio, surrounded by paint and pastels, smelling the aroma of both, scrabbling, scratching, brushing, scrubbing away at the layers I apply I…
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Berardo Gallery, Lisbon
It started with a ‘bucket list’. After twenty years travelling Europe, the US and Africa there are a few places I still want to visit – and no, I don’t need anymore suggestions, thanks… In the past I have visited over 30 countries, but there are places I still want to go, experiences I still…
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Teasel 2
The ‘Teasel’ painting has come out appearing quite violent, and in my own mind I think of it as ‘War’, the disappearing grid reflecting the breakdown in the rules based international order that has seen Russia and China blatantly ignoring the rules of international behaviour to push forward their own power grabs knowing no-one wants…
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