Tag: Claude Monet
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A Renaissance
My processing also starts with traditional visual ideas, with looking, then progressing maybe from drawings, more often from digital photographs which I crop, process and alter on the computer before drawing to refine/define further, taking onto a larger scale through works on paper and then distil onto my larger scale canvases. The camera technology has…
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Blue 2 Infinity
I started to look at definitions of ‘Blue’ in writing the previous blog on the colour. My 1954 dictionary (a thick tome I grew up using after dad bought the dictionary and the 8 volume ‘Book of Knowledge’ from a door-to-door salesman) states “Ancient colour words are very variable in meaning when distributed among the…
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Apple Blossom Time
The super-rich may buy islands but for most some personal mobility was a blessing – but also a curse as children moved further away from parents and family support mechanisms broke down. The ‘nuclear family’ as a concept seems to be under threat. A younger generation now needs to redefine family and nationality, bearing in…
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March March
“March March to my own drum, March march to my own drum Hey hey I’m an army of one Oh i‘m an army of one Tell the ol’ boys in the white bread lobby What they can and can’t do with their bodies Temperatures are rising, cities are sinkin’ Ah cut the shit” Dixie Chicks…
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Loss of Innocence
The world is in a permanent flux as technologies change the way we live and work, communicate, and manage our interpersonal relationships. The loss of innocence has accelerated generation by generation, but the increased availability of information and knowledge has generally led to people living in ‘silos’. What do I mean by this? Let me…
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Doorway into Dreams
In my last piece To See or Not to See I talked about photography. It was of course the driver behind much of the change in artistic perception, from Muybridge to commercial soap adverts (Bubbles), all building and subtly altering the way people see or use their eye/brain combination. This obviously impacts visual education, where…
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To See or Not to See
This is an image made by merging from one day on Winter, Spring, Summer and Autumn into a composite photo of the year 2020. A bit like an acid trip, it shows how the imagination can be more powerful that any drug – and as addictive
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An Artist’s Statement
I first started using a camera ‘as a lad’ and sold my first photograph to an American collector when I was 17, back when images were recorded on film and had to be printed out on paper. I still print the images I use on paper, but now as giclée’s at A2 or A3 on…
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Making Waves
Right at the beginning of this series BRotS#1 had a vestigial wave pattern at its base, partly, I will admit, simply to hide the fact the drawing wasn’t quite square. See how intellectual the process can be? Ha! Throughout the remaining explorations and paintings, the sea has largely been the missing element as I have…
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Basket Case
Scale is an important consideration in relation to the mark. I want to be able to put myself into the work and that means working with the whole body. As pieces get smaller so the ‘hinge’ around which the mark rotates changes. Small pieces use the wrist as the hinge, then it progresses to the…
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Eternal Prevarication
As nature grows and responds to the seasons so too must I. It may be for urban artists the awareness of the rhythms of life are different, determined by their social engagement with the urb. However, the superbly violent thunderstorms of the other night were a reminder of the power of nature. Cities cannot ultimately…
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Teasing teasels
They were used in industry to tease out threads from wool for spinning. Using photographs and drawings I am teasing out ideas about expressing their structure through colour on both canvas, and if I can figure out a simple way of doing it, in 3D too. I have been walking to regrow muscle and strength…
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