Tag: Coast

  • Under and Overpainting

    Under and Overpainting

    For almost a year I have worked through the paintings on paper and canvas (drawings and canvases?) producing 14 canvases and some 60+ works on paper.  Immersed in the process I have changed my techniques and the way I use paint. Strangely I think the initial impulse for this may lie with a pencil drawing…

  • Colour Conundrums

    Changing light changes perceived colour and then it is exaggerated in post image processing. Here sea-fret filtered sunlight altered how colour was ‘seen’ both by may eyes but also by teh algorithms in teh camera itself – never forget what you get is filtered electronically according to the aesthetics of the technicians employed by the…

  • Chocolate Teapot

    The canvases of the Cuckmere metal now sit with early studies of the Splash Point metal, and alongside Bergen Harbour, something of a breakthrough piece spurred on by knowledgeable criticism – not the moronic ‘forlorn frustrated sexuality’ critique I had from the Guardian many years ago but a knowledgeable questioning from my peers who also…

  • The Old man of the Mountain

    The Old man of the Mountain

    . Everything is badly planned here. New housing is proposed but children’s schools are already at capacity and children will be sent over the Downs on roads that often block and isolate the town. There is not enough surgery capacity to cope and the surgeries are themselves are in buildings that need revision – so…

  • The BRotS paintings on paper

      Click here to see a GIF of BRotS Images that are available from the gallery. All are on A1 sized 300gsm paper primed with 3 coats of gesso ground. Acrylic paint, some with oil pastel additions, mostly glazed with a matt glaze. Images are all sized at 27 inches wide by 16.5inches high. All…

  • Ritual Process

    The rusting is a metaphor for personal and national life, my efforts to reflect it and present its beauty reflects my own view of our country and its history. Doesn’t all art do this? If that is so, how do you judge much of what is presented as art, in all art forms, today?

  • Making Waves

    Right at the beginning of this series BRotS#1 had a vestigial wave pattern at its base, partly, I will admit, simply to hide the fact the drawing wasn’t quite square. See how intellectual the process can be? Ha! Throughout the remaining explorations and paintings, the sea has largely been the missing element as I have…

  • The Weather Side

    Starting with observation, drawings result. Additional information added by keeping large print (A3+ or A2} colour photographs for colour references on the studio wall, occasionally incorporating photographic prints into the work means that much of the apparent abstractions are just more apparent than they are. Sometimes the photos are collaged to create images that can…

  • Cuckmere Coastguard Cottages

    Some of what I know is hearsay, some from simple observation, some from public reports. It seems that the Agency, given the job of protecting Britain’s coastline, was making choices about where to spend its limited funds (apart from on offices and administration of course). A while ago it announced it would no longer take…

  • Cuckmere #BRotS

    Including pieces of net and the shingle rocks that had holed and forced apart the metal plates drew me down a path to painting realistically where before, in just exploring the colour I had been able to delight in exploring paint and colour, textures, transparency and painterly concerns. Working from a photograph I took of…

  • Out of the Blue

    Whilst I am no longer working in the small tight confines of taped off areas characterised by the ‘Seaford Fuchsia’, I am still taping out areas to work on. The thick paint raised issues with getting a good edge as the corrugations I create in application allow ‘bleeds’ of adjacent colour. To a certain extent…

  • Moving Forward

    Moving Forward

    Although this was the concern in the ritual of painting in the freedom of the mythmaking on paper things were going in quite a different direction. The obsession in the works on paper with the mark expressing speed and the natural swing of the arm was being modulated, and the look at pattern had also…