Tag: drawing

  • Creative Compulsion

    Keeping the creative activity moving steadily along rather than in disjointed fits and bursts has been difficult with painful and intrusive medical procedures getting in the way. Not least these have impacted mentally. Strange how physical the activity of painting is for me and how much ill health impedes the activity. I can understand something…

  • A Practised Eye

    A Practised Eye

    Photography has an immediacy that drawing and painting doesn’t. But they are not mutually exclusive but are part of the weave that makes my creative cloth. Both processes are about looking, developing a practised eye. As William Blake expressed it so well in saying ”The eye sees more than the heart knows”.

  • Tunnel Vision

    Tunnel Vision

    Maybe too the use of dark colour, deep violet and grey through to black also reflects what I characterise as a Durer figure of death sitting on my shoulder. However, my belief in art sustains me and I have started working on the next paintings.

  • Ditchling Museum of Art and Craft

    The Ditchling Museum and Gallery came close to winning major design awards for the conversion, and is a pretty charming building, sensitively converted and extended to form a fine small space. Endowed by the Sackler Trust the museum will feature a steady stream of shows devoted to one of the most famous residents of the…

  • In a Mad World

    Sandberg died in 1984, a true creative and social hero. The show shows both the man and his work. It is small but beautifully formed and makes the trip to the de la Warr Pavilion well worthwhile

  • The Cat Sat

    As students at Corsham each year we had to empty our studio spaces, scrape the floors and paint the spaces – floors grey, walls white – ready for the end of year show. Whilst I started off my studio with the grey floors and pristine white walls I think the space will have to be…

  • Going through a Purple patch

    My art is intended to reflect a view of reality, but the writing extends this through process outside the studio, sharing my visual world through

  • The Bridget Riley of the Shingle

    The Bridget Riley of the Shingle

    On #Seaford seafront I find all this present, almost as a standing art joke to be enjoyed over and over on my walks. It seems to me that part of the rǒle of the artist is to represent realities that are around us as they see them, and in turn make us look differently at…

  • Sunset Colour Cliché Conundrums

    Using large prints of the photographic images I collage the sunset realities with my interpretations in oil pastels. In turn the oil pastels are also photographed to give a commonality of paper, size, texture and colour quality for the collages.

  • A Riot of Colour

    I work on paper on the wall using oil pastel, and the scale is important as it has to be large enough to contain the energy of the stroke of the arm and the intensity of the colour application. Using pastels enables me to mix colour in an almost pointillist way in the sense that…

  • Cancer and Honeysuckle

    The success rate for this Cancer treatment is a staggering 80%, good news for me. It was during one of these bouts of post treatment weakness that I sat in the sun amongst the honeysuckle in the back garden, giving rise to this latest painting.

  • Snap Judgements and an Innocent Eye

    The use of technology is reinforcing my interest in the nature of the mark. Much as when I screen-printed I became interested in how different meshes changed the nature of the print so I am beginning to experiment with different ways in which the printer or the printed image can be ‘abused’ to fuse with…