Tag: drawing
-
Under and Overpainting
For almost a year I have worked through the paintings on paper and canvas (drawings and canvases?) producing 14 canvases and some 60+ works on paper. Immersed in the process I have changed my techniques and the way I use paint. Strangely I think the initial impulse for this may lie with a pencil drawing…
-
Colour Conundrums
Changing light changes perceived colour and then it is exaggerated in post image processing. Here sea-fret filtered sunlight altered how colour was ‘seen’ both by may eyes but also by teh algorithms in teh camera itself – never forget what you get is filtered electronically according to the aesthetics of the technicians employed by the…
-
Chocolate Teapot
The canvases of the Cuckmere metal now sit with early studies of the Splash Point metal, and alongside Bergen Harbour, something of a breakthrough piece spurred on by knowledgeable criticism – not the moronic ‘forlorn frustrated sexuality’ critique I had from the Guardian many years ago but a knowledgeable questioning from my peers who also…
-
The BRotS paintings on paper
Click here to see a GIF of BRotS Images that are available from the gallery. All are on A1 sized 300gsm paper primed with 3 coats of gesso ground. Acrylic paint, some with oil pastel additions, mostly glazed with a matt glaze. Images are all sized at 27 inches wide by 16.5inches high. All…
-
Making a Painting – Choosing the Easel
-
Making a Painting – in the beginning
-
Ritual Process
The rusting is a metaphor for personal and national life, my efforts to reflect it and present its beauty reflects my own view of our country and its history. Doesn’t all art do this? If that is so, how do you judge much of what is presented as art, in all art forms, today?
-
A Search for Beauty
Realistic or representational paintings can open a door for a viewer, and maybe why, as I have said before, that I try to walk a line between abstraction and representation. The works on paper are closer to realism that you might think, often appearing surprisingly close to the photographic image worked from, making them accessible…
-
The Weather Side
Starting with observation, drawings result. Additional information added by keeping large print (A3+ or A2} colour photographs for colour references on the studio wall, occasionally incorporating photographic prints into the work means that much of the apparent abstractions are just more apparent than they are. Sometimes the photos are collaged to create images that can…
-
Splodging
Here you can see details of the latest paintings featured in previous blogs, showing the technique. I use brushes too, frequently underpainting with brush before working over with the scrapers and then working over again with oil pastel. Love what I am doing ( to paint is to love again) and love the colour interrelationship…
-
Cuckmere Coastguard Cottages
Some of what I know is hearsay, some from simple observation, some from public reports. It seems that the Agency, given the job of protecting Britain’s coastline, was making choices about where to spend its limited funds (apart from on offices and administration of course). A while ago it announced it would no longer take…
-
Cuckmere #BRotS
Including pieces of net and the shingle rocks that had holed and forced apart the metal plates drew me down a path to painting realistically where before, in just exploring the colour I had been able to delight in exploring paint and colour, textures, transparency and painterly concerns. Working from a photograph I took of…
patrickgoff.com 