Tag: emotion

  • Learning the Visual Language

    College experiments from the 1960’s to confirm learning about colour using light modulars and stage lighting gels, photography. Advancing and recessive colour demonstrated

  • Honeysuckle Fun

    Honeysuckle Fun

    Analysing colour and form through photography and drawing . Honeysuckle the subject, mixing the digital image and the auto-graphic mark

  • Walking Wounded

    Walking Wounded

    The dangers of physical and emotional ‘burn-out’ for the creative mind. Creativity needs nurturing. As Picasso is supposed to have said, ‘artists are the elite of the servant classes’ but need treating with respecrt

  • Paint’n Place

    From Monet to Hockney – recognising that location is important to an artist’s oeuvre. Examples from my own art over the years reflecting Lancashire, London and Sussex

  • Bridget Riley at the De La Warr Pavilion

    Bridget Riley at the De La Warr Pavilion

    The exhibition at the de La Warr Pavilion in Bexhill-0n-Sea explores Riley’s development in a linear way from the initial disturbingly disorienting black and white images through more disturbing curvilinear colour work to the calmer more lyrical recent works.

  • Grid Lock

    Grid Lock

    We use grids daily. Sometimes we don’t recognise them as grids, such as in a car park. Sometimes we label them with other names such as ‘cells’ when in a spreadsheet for example, or ‘apartments’ in a block of flats. Pixels in digital imagery work as a grid. Grids provide a framework for colour

  • Hanging About

    Hanging About

    I rarely drive across a drawbridge. Especially one where the door have to be held back, their ancient bolt heads securing the planks barely an inch either side of the car (contains stunning flower images)

  • It’s all a Performance

    It’s all a Performance

    Art is a language and all language is about communication. It takes a transmitter and a receiver, and all art need s an audience as without an audience it is like a proverbial tree falling in a forest… so the website is my new stage on which my performances in the studio can be critically…

  • A Reaffirmation of Life

    A Reaffirmation of Life

    About exhibiting: Having work framed up to present formally to an audience can be intimidating (as well as expensive) but is an essential part of the creative process. After all unseen work is like the proverbial falling tree in the forest – if no one sees it does it happen? The purpose of art as…

  • He who hesitates is lost?

    He who hesitates is lost?

    I have never really thought of my photographs as art in their own right, any more than I think a page from my sketchbook is. I have seen the camera as a tool and only now am I beginning to think of them as possible art forms

  • Roses are Red, Violets are Blue, and grass is always greener

    Roses are Red, Violets are Blue, and grass is always greener

    Raindrops glistened in the grass after we had a thoroughly violent thunder and rain storm. I decided to draw outside with the oil pastel.

  • California Dreamin’ in colour

    California Dreamin’ in colour

    I had been working with the colour from the peonies I featured previously but had struggled to make anything work. This time the colour flowed off the pencils, nearly working through the page in my sketch book.