Tag: England
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Green as Grass
Green is the dominant colour in the garden against which flower blossom glow, but the daisies, scattered in the long grasses hold their own in this beauty contest, the gold of the Archimedean spiral at their centres sitting among white petals that often turn to pink darkening to red at their tips. They have grown…
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Blue
“In visual perception a colour is almost never seen as it really is – as it physically is. This fact makes colour the most relative medium in art” “In order to use colour effectively it is necessary to recognise that colour deceives continually” “It should be learned that the one and the same colour evokes…
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March March
“March March to my own drum, March march to my own drum Hey hey I’m an army of one Oh i‘m an army of one Tell the ol’ boys in the white bread lobby What they can and can’t do with their bodies Temperatures are rising, cities are sinkin’ Ah cut the shit” Dixie Chicks…
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A Bit of a Blow
Its quieter now. We are I guess, some 400 yards from the beach, and the persistent thunder, a little like traffic noise, has gone. The sun is shining, and the weathermen and women can stop panicking until the next stiff breeze comes along. My admiration for those who persist in living in cottages at Cuckmere…
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Fisherman’s Tackle
The last of this set (but not the end of the series) worked the net more loosely . There is a conflict between my desire to tread that line between reality and abstraction that gives me a problem with taking this larger, and the canvas may well end up being destroyed.
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Loss of Innocence
The world is in a permanent flux as technologies change the way we live and work, communicate, and manage our interpersonal relationships. The loss of innocence has accelerated generation by generation, but the increased availability of information and knowledge has generally led to people living in ‘silos’. What do I mean by this? Let me…
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Morning
Downstairs I collect the camera and then realise I can still see the stars brightly – the Plough is low in the sky as is the sun when it is around, throwing its long shadows. I decide to delay, and instead I clean the kitchen and make an early coffee. I watch the horizon slowly…
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Doorway into Dreams
In my last piece To See or Not to See I talked about photography. It was of course the driver behind much of the change in artistic perception, from Muybridge to commercial soap adverts (Bubbles), all building and subtly altering the way people see or use their eye/brain combination. This obviously impacts visual education, where…
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To See or Not to See
This is an image made by merging from one day on Winter, Spring, Summer and Autumn into a composite photo of the year 2020. A bit like an acid trip, it shows how the imagination can be more powerful that any drug – and as addictive
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Trusting or Rusting?
For over eighteen months I have been working from images of my local sea defences, fascinated by the complexities of colour and texture generated by their decay. Sheet metal supposedly protecting the concrete structure that in turn protects a sewer treatment outfall, nowadays just a storm drain. We’re told. If you can believe anything a…
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An Artist’s Statement
I first started using a camera ‘as a lad’ and sold my first photograph to an American collector when I was 17, back when images were recorded on film and had to be printed out on paper. I still print the images I use on paper, but now as giclée’s at A2 or A3 on…
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Art Wave 21
Coming soon is the Art Wave 21 festival for which I will be putting up a little more of a show in the studio, details below: Location 083 • Trust in Rust 2 Headland Avenue, Seaford BN25 4PY Off Southdown Road, 4th house on the right Patrick Goff has been absorbed in exploring the sea…
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