Tag: oil pastels
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Mining the Past
“did the grid” of squares I have used for years, represent “the same mental repression I was criticising in the other artists’ work” she asked? This brought me up short. I have used the grid for many years, for many of which I was locked into a marriage that was loveless. I justified the grid…
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The Bauhaus and Me #3
Albers used paints straight from the tube showing how colour against colour changed perception of each in juxtaposition. Seeing change in a stable situation suggested that change in life could be seen too when it seemed unchanging. As one critic remarks, when these painting appeared in the 1950’s it marked the end of the Bauhaus…
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Memory Maps
For now, I am like a Greek god maliciously deleting houses, whole roads and communities, removing data as preparation for adding new information. In a sense I am priming the canvas, making ready to create a new mythology. I am changing the meaning of the map from map into a piece of artwork.
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Processed Buddleia
It started, as most paintings do, with a walk. A regular cut down a ginnel (‘ginnel’ is Lancastrian, it’s known as a ‘twittern’ in Sussex speak, I’m told) on my walk into Seaford centre took me under a beautifully coloured buddleia. I took several photographs trying to capture the halo of complementary colour created by…
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Teasing teasels
They were used in industry to tease out threads from wool for spinning. Using photographs and drawings I am teasing out ideas about expressing their structure through colour on both canvas, and if I can figure out a simple way of doing it, in 3D too. I have been walking to regrow muscle and strength…
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Alternative Art Gallery
The camera helps me in my visual playground. It is responsive and instantaneous, and so easy to dispose of unsatisfactory images. It is a strand of my art that I am weaving more and more into finished pieces. This day was particularly visually rich.
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Tunnel Vision
Maybe too the use of dark colour, deep violet and grey through to black also reflects what I characterise as a Durer figure of death sitting on my shoulder. However, my belief in art sustains me and I have started working on the next paintings.
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The Cat Sat
As students at Corsham each year we had to empty our studio spaces, scrape the floors and paint the spaces – floors grey, walls white – ready for the end of year show. Whilst I started off my studio with the grey floors and pristine white walls I think the space will have to be…
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Going through a Purple patch
My art is intended to reflect a view of reality, but the writing extends this through process outside the studio, sharing my visual world through
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Snap Judgements and an Innocent Eye
The use of technology is reinforcing my interest in the nature of the mark. Much as when I screen-printed I became interested in how different meshes changed the nature of the print so I am beginning to experiment with different ways in which the printer or the printed image can be ‘abused’ to fuse with…
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Honeysuckle Fun
Analysing colour and form through photography and drawing . Honeysuckle the subject, mixing the digital image and the auto-graphic mark
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Paint’n Place
From Monet to Hockney – recognising that location is important to an artist’s oeuvre. Examples from my own art over the years reflecting Lancashire, London and Sussex
