Tag: Photography

  • Blue

    Blue

    “In visual perception a colour is almost never seen as it really is – as it physically is. This fact makes colour the most relative medium in art” “In order to use colour effectively it is necessary to recognise that colour deceives continually” “It should be learned that the one and the same colour evokes…

  • Apple Blossom Time

    Apple Blossom Time

    The super-rich may buy islands but for most some personal mobility was a blessing – but also a curse as children moved further away from parents and family support mechanisms broke down. The ‘nuclear family’ as a concept seems to be under threat. A younger generation now needs to redefine family and nationality, bearing in…

  • Knock Knockin’

    Knock Knockin’

    Mama, take this badge off of me I can’t use it anymore It’s gettin’ dark, too dark to see I feel I’m knockin’ on heaven’s door Bob Dylan  Several of us on Twitter and Facebook keep a daily visual diary of the changing months. I take mine from the same spot (approximately) in the garden…

  • A Bit of a Blow

    Its quieter now. We are I guess, some 400 yards from the beach, and the persistent thunder, a little like traffic noise, has gone. The sun is shining, and the weathermen and women can stop panicking until the next stiff breeze comes along. My admiration for those who persist in living in cottages at Cuckmere…

  • Fisherman’s Tackle

    Fisherman’s Tackle

    The last of this set (but not the end of the series) worked the net more loosely . There is a conflict between my desire to tread that line between reality and abstraction that gives me a problem with taking this larger, and the canvas may well end up being destroyed.

  • Loss of Innocence

    Loss of Innocence

    The world is in a permanent flux as technologies change the way we live and work, communicate, and manage our interpersonal relationships. The loss of innocence has accelerated generation by generation, but the increased availability of information and knowledge has generally led to people living in ‘silos’. What do I mean by this? Let me…

  • Morning

    Morning

    Downstairs I collect the camera and then realise I can still see the stars brightly – the Plough is low in the sky as is the sun when it is around, throwing its long shadows. I decide to delay, and instead I clean the kitchen and make an early coffee. I watch the horizon slowly…

  • Doorway into Dreams

    Doorway into Dreams

    In my last piece To See or Not to See I talked about photography. It was of course the driver behind much of the change in artistic perception, from Muybridge to commercial soap adverts (Bubbles), all building and subtly altering the way people see or use their eye/brain combination. This obviously impacts visual education, where…

  • To See or Not to See

    To See or Not to See

    This is an image made by merging  from one day on Winter, Spring, Summer and Autumn into a composite photo of the year 2020. A bit like an acid trip, it shows how the imagination can be more powerful that any drug – and as addictive

  • Trusting or Rusting?

    Trusting or Rusting?

    For over eighteen months I have been working from images of my local sea defences, fascinated by the complexities of colour and texture generated by their decay. Sheet metal supposedly protecting the concrete structure that in turn protects a sewer treatment outfall, nowadays just a storm drain. We’re told. If you can believe anything a…

  • Art Wave 21

    Art Wave 21

    Coming soon is the Art Wave 21 festival for which I will be putting up a little more of a show in the studio, details below: Location 083 • Trust in Rust 2 Headland Avenue, Seaford BN25 4PY Off Southdown Road, 4th house on the right Patrick Goff has been absorbed in exploring the sea…

  • Under and Overpainting

    Under and Overpainting

    For almost a year I have worked through the paintings on paper and canvas (drawings and canvases?) producing 14 canvases and some 60+ works on paper.  Immersed in the process I have changed my techniques and the way I use paint. Strangely I think the initial impulse for this may lie with a pencil drawing…