Tag: Seaford Head
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South Barn
South Barn It has been a dry hot summer. The Barn is known for having no heating, not being wind proof, sometimes not even waterproof, and today there is one of those miserable damp misty sea fret sort of days. Perched on Seaford Head the rest of the South Downs National Park is hidden in…
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A Bit of a Blow
Its quieter now. We are I guess, some 400 yards from the beach, and the persistent thunder, a little like traffic noise, has gone. The sun is shining, and the weathermen and women can stop panicking until the next stiff breeze comes along. My admiration for those who persist in living in cottages at Cuckmere…
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Fisherman’s Tackle
The last of this set (but not the end of the series) worked the net more loosely . There is a conflict between my desire to tread that line between reality and abstraction that gives me a problem with taking this larger, and the canvas may well end up being destroyed.
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Doorway into Dreams
In my last piece To See or Not to See I talked about photography. It was of course the driver behind much of the change in artistic perception, from Muybridge to commercial soap adverts (Bubbles), all building and subtly altering the way people see or use their eye/brain combination. This obviously impacts visual education, where…
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Trusting or Rusting?
For over eighteen months I have been working from images of my local sea defences, fascinated by the complexities of colour and texture generated by their decay. Sheet metal supposedly protecting the concrete structure that in turn protects a sewer treatment outfall, nowadays just a storm drain. We’re told. If you can believe anything a…
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An Artist’s Statement
I first started using a camera ‘as a lad’ and sold my first photograph to an American collector when I was 17, back when images were recorded on film and had to be printed out on paper. I still print the images I use on paper, but now as giclée’s at A2 or A3 on…
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Art Wave 21
Coming soon is the Art Wave 21 festival for which I will be putting up a little more of a show in the studio, details below: Location 083 • Trust in Rust 2 Headland Avenue, Seaford BN25 4PY Off Southdown Road, 4th house on the right Patrick Goff has been absorbed in exploring the sea…
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Under and Overpainting
For almost a year I have worked through the paintings on paper and canvas (drawings and canvases?) producing 14 canvases and some 60+ works on paper. Immersed in the process I have changed my techniques and the way I use paint. Strangely I think the initial impulse for this may lie with a pencil drawing…
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Colour Conundrums
Changing light changes perceived colour and then it is exaggerated in post image processing. Here sea-fret filtered sunlight altered how colour was ‘seen’ both by may eyes but also by teh algorithms in teh camera itself – never forget what you get is filtered electronically according to the aesthetics of the technicians employed by the…
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Chocolate Teapot
The canvases of the Cuckmere metal now sit with early studies of the Splash Point metal, and alongside Bergen Harbour, something of a breakthrough piece spurred on by knowledgeable criticism – not the moronic ‘forlorn frustrated sexuality’ critique I had from the Guardian many years ago but a knowledgeable questioning from my peers who also…
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Making a Painting – in the beginning
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Splodging
Here you can see details of the latest paintings featured in previous blogs, showing the technique. I use brushes too, frequently underpainting with brush before working over with the scrapers and then working over again with oil pastel. Love what I am doing ( to paint is to love again) and love the colour interrelationship…
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