Tag: Seaford
-
A Waiting Game
The gallery is unusual with at its heart the 13th century wine merchants ‘shop’, or at least the cellar he used to deal his wines from. Looked after in part by English Heritage its flint rubble walls proved to make a fine background to my work.
-
Hanging About
I rarely drive across a drawbridge. Especially one where the door have to be held back, their ancient bolt heads securing the planks barely an inch either side of the car (contains stunning flower images)
-
Frigid English Beauty
The French say English women are beautiful but cold, maybe because they don’t all go in for two hour lunchtime trysts (funch to American apparently) as French women are reputed to do. If true of course, then these images of frozen roses are a great representation of England.
-
Constable clouds and Stella stripes
So the drawings continues to develop as I work at the same time with the photographs that combine with colour notes in the sketch book to form the base from which the ideas are developing.
-
Sardinia Seaside Success
…downtime on the beach and a few visits to towns, including a cruise around the islands northern tip where France meets Italy, Corsica meeting Sardinia. I certainly recommend taking your glasses off before diving over the side of your boat …
-
Sardinia, bougainvillea and rescue
At first it was just the intensity at dusk. It made the colours fluoresce, red-violet against green with an intensity that quite took my breath away. The colours of the Mediterranean glow in the mid-summer sunlight
-
“the Channel in the mad March days”
The coasters themselves have vanished save the examples left in Museums. Now looking some 12 miles out to sea, where the westward bound lane of Channel shipping can be seen, ships passing look like huge blocks of flats laden with containers
-
Fools Gold?
Their colour seems short lived as petals seem to get paler over the day, and the life of a flower seems relatively short. Capturing the colour was my goal, and having filled some pages in the sketch book and taken many photographs I am ready to push forward, going with the flow, see where it…
-
Seeing Seaford as Home
Seaford ticked all the boxes. The beach, cliffs and Downs limit its spread, keeping it free of urban sprawl and giving a more predictable environment than elsewhere. I need to have an horizon, and cityscapes don’t give me that.
-
Waves and Gate Broken – in the studio
I’m working from photographs, and wanted to go take another look at the shadows. I want to do a couple of ‘Hopperish’ images and work them into a collage prior to creating a painting using the traditional ‘squaring up’ process, and working the process into the end result – a painting about painting if you…
-
Of Wood, Waves and Walking
The line of London plane trees along John Islip street at the back of the Tate gave some striking images, almost monochromatic, but relieved by gleams of the gold and eau de nil colouring of new bark. Their branches drew graphic pictures against the sky, looking like knobkerries where they had been pollarded.
-
Sea Scours Seaford’s Shingle
It was in 1987 that the groynes on Seaford beach were buried under tons of imported gravel, brought in to boost the defences along the beachfront. The reinforcing of the shingle bank, helping to keep high seas at bay from the town centre.
patrickgoff.com 