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Tag: seeing

  • Grid Locked

    J.S. Mill said in effect freedom is the ability to challenge the rules, the grid of laws and social convention. As artists we should challenge, change, innovate not conform to other expectations. The grid of galleries, art market and critics are not the arbiters of quality but a reflection of a reality unrelated to art,…

  • 300 Days

    My Verdun Triptych has now found a new home in a local public school, and there’s a story behind this dating back to the 1970’s. When I complete my degree course I was upset to be handed the application forms for a posts-graduate teaching course. This seemed like a vote of no-confidence by the college…

  • New York in 1945

    New York in 1945

    It’s a wonderful town, we all know that. My first visit, as a young artist and college lecturer, was on Laker’s Skytrain from Manchester, £99 return for the US independence bicentennial celebrations in 1976. I took hundreds of images of skyscrapers and made my money back with a mini lecture tour of groups in Lancashire…

  • Death by a thousand cuts…

    To those demonstrators who littered tons of rubbish on London streets as ‘environmental protest’ I say shame on you, don’t expect government’s magic wand to absolve you of responsibility. You littering hypocrites – your penance should be to collect an amount of rubbish from hedgerows and beaches where you live equal to that you dumped…

  • Log-In at the Towner

    There is so much complexity and sensitivity in Nash’s work. The work builds on a relationship with the land, with Ffestiniog, and is rooted deeply in the past as well as reflecting an individual delight in materials and the workings of the natural environment. Nash is claimed as a minimalist in some writing. For others…

  • Basket Case

    Scale is an important consideration in relation to the mark. I want to be able to put myself into the work and that means working with the whole body. As pieces get smaller so the ‘hinge’ around which the mark rotates changes. Small pieces use the wrist as the hinge, then it progresses to the…

  • A Bruised Bum

    Open your studio for visitors. Sound easy, doesn’t it? Ha! Sometimes there is hardly room for me to fit in between the piles of tape, open stretchers with rough cut canvas draped over them, dirty palettes, rolls of paper leaning in corners, three easels, unfinished or abandoned paintings and an overflowing plan chest. Still when…

  • 1,000+ Years in Flint

    Just 16 houses around a Saxon church. Over thousand years of history seeming to slumber in the summer sun. England past and present. The pigeons cooed; the crows cawed. Sometimes time seems almost to stand still.

  • In Botswana Tourism Matters

    Close encounters with elephant, lions, hyenas, cheetahs and rhino amongst the ‘big five’ beasts, elephant shrew, lion ant and others in the ‘little five’ have all been enjoyed in touring Southern Africa. It has been at its heart a search for beauty and wilderness, gripping my artist’ soul. The last wildernesses lie in these lands…

  • Eternal Prevarication

    As nature grows and responds to the seasons so too must I. It may be for urban artists the awareness of the rhythms of life are different, determined by their social engagement with the urb. However, the superbly violent thunderstorms of the other night were a reminder of the power of nature. Cities cannot ultimately…

  • Mining the Past

    “did the grid” of squares I have used for years, represent “the same mental repression I was criticising in the other artists’ work” she asked? This brought me up short. I have used the grid for many years, for many of which I was locked into a marriage that was loveless. I justified the grid…

  • Square Peg?

    All my paintings start from my enjoyment of my visual world, and the image stories I create and show on my Facebook page are as important an expression of this for me as the more formalised realisation of ideas in the studio. As to where I go from here only time and work will tell.…