Category: art as language

  • Art: The Future is Yours

    Art: The Future is Yours

    Painting like many other creative areas, is more than just a set of skills, much more. I gained a set of spiritual beliefs that I have tried to live by, and which have enriched my life immeasurably. Apart from anything else my visual training has provided eminently transferable skills I have used across a range…

  • Alternative Art Gallery

    Alternative Art Gallery

    The camera helps me in my visual playground. It is responsive and instantaneous, and so easy to dispose of unsatisfactory images. It is a strand of my art that I am weaving more and more into finished pieces.  This day was particularly visually rich.  

  • Exhibition Time Again

    Exhibition Time Again

    My latest exhibition is in Lewes (see poster) 1st November until 12th December. Get in touch if you would like me to meet you there to discuss the work. Work will be for sale

  • Rathfinny’s Riley Stripes

    Rathfinny’s Riley Stripes

     I need the mental resilience to see a reason for moving forward, into developing the ideas into various forms, Digital imagery can be quick and simple to play with but the recent Four Seasons series based on photographs of garden buckets shows that they work best when they go ‘interactive’ with pencils and other implements.

  • Found in the Fields

    This is a creative marriage of poet and painter that produces a result that embellishes the work of both Carry Akroyd and John Clare.

  • 4 Seasons

    As I work through the ideas underpinning my ‘Four Season’ group of paintings, I pause to draw breath and appreciate where I am right now. If you have followed my blogs you will have seen my tale of cancer, starting in November 2012 when I revealed the diagnosis. It continued through various posts including ‘Nameless,…

  • Alternate Reality

    Alternate Reality

    In my last piece I wrote that artists may be their own Trump, viewing the world and creating their own interpreted reality from it. I wrote how my own work had unconsciously become a simulacrum of events outside myself and the studio. I may not have been so far from mainstream thinking in writing this,…

  • The Brexit Daisy

    The Brexit Daisy

    It was a tough canvas for me. So much in it that was experimental, new, and controlling and creating progressions of colour across the surface much more difficult with differing techniques than I had previous anticipated. I played with how to mix colour without changing it. So, a kind of sub-pointillist approach of marks of…

  • Alt: Primary

    Perhaps every artist is their own personal ‘Trump’ and they show their alternate realities in their painting, but because art is generally not seen as life threatening and often creates beauty this reality is objectively enjoyed by others. If you consume art you choose your own ‘Trump’ to follow, diving into their reality. The difference…

  • Getting Started

    Getting Started

    I draw up the canvas and start to paint, but best laid plans can fail in contact with reality. I try to set parameters of colour from the start on the canvas, and that tends to set the palette. In this case I have a range of earth colours, to be contrasted against a range…

  • Disintegrating Daisies

    We all belong. When chaos and disorder threaten or, even, occur, then change results. Current events show how those oppressed by rules can use the orderly rule based process of the state to change the world. The demagoguery of politicians or individuals of conviction can still change the world unpredictably. This process I mirror in…

  • Picking Daisies

    how the decision making with the lower daisies challenges just as much as those at the beginning. The balance of dislocation of the image colour against the line drawing, edge versus surface, constantly hovers on the brink of disintegrating into chaos – which is ,of course, largely what I want. If the viewer feels uneasy,…