Category: art as language
-
Collecting Artist Prints
In art college, I began looking at collecting the work of other artists, starting with work by friends like Geoff Turpin. This expanded into trying to buy the work of established ’names’, underpinned by the feeling that the only way I could hang my work on the same wall as, say, Patrick Caulfield, was to…
-
Art Student to Artist
“the shock of the outside world will have been a douche of cold water, as it was for me when I sobered up. Surviving this shower to establish a practice and a studio is sometimes impossible, and the shower can become a bleak torrent when competing against finding employment, marriage etc.. “
-
Aftershocks
Making art is a performance, and like any performance it seeks an audience. Performing on canvas can be just a terrifying as walking on stage – rather more detached from the audience reaction, but I have experienced those newspaper reviews that disparage the artist with an incomprehension on the part of the critic about the…
-
What do you paint?
Classic question, isn’t it? Everyone’s response when you say you paint, occasionally bitten off halfway through when the questioner realises the foolishness of asking. “I do flower paintings” is my standard riposte to this question. An answer as misleading as the question is unanswerable verbally. How to describe in succinct words my use of colour…
-
Art Flowering
Drawings and paintings of Poppies, geraniums, windflowers explore colour and space. Interlocked with the grid of experience they shift and move creating jewel like experience of colour illusions, paralleled by allusions to distortions and disruption social structures inflict on innocent lives.
-
Autumn Lives
Autumn. The heating goes on again. Sunrise is after breakfast. The first gales blow more and more leaves off the trees. Rain starts to be more frequent, harder, sometimes horizontal. Long coats appear, the barber talks of wearing his Barbour when he walks his dog
-
Another day, another poppy
I use acrylic, and my palettes are old plates. I have discovered that acrylic paint will stay wet on the plate for days if it is covered – except for the colour you need, mixed and used yesterday, which of course dries out and can only be mixed again with great difficulty…
-
A Second Growth of Honeysuckle
As I work towards the latest exhibition there continue to be differing strands through the work. This latest painting follows the path of the grid paintings, but my mind is now turning to large scale drawings again, as I did for the Sunlit Wave series (also to be in the Seaford October 2016 show) and…
-
“Nameless, Unreasoning, Unjustified Terror “
I’ve survived the turmoil of the last eighteen months by focussing on my painting, despite the frustration that every time I start to become totally involved with it, I spend time in hospital again. It is inhibiting to be not fully fit as for me drawing has become a fully immersive physical experience
-
Creative Compulsion
Keeping the creative activity moving steadily along rather than in disjointed fits and bursts has been difficult with painful and intrusive medical procedures getting in the way. Not least these have impacted mentally. Strange how physical the activity of painting is for me and how much ill health impedes the activity. I can understand something…
-
A Practised Eye
Photography has an immediacy that drawing and painting doesn’t. But they are not mutually exclusive but are part of the weave that makes my creative cloth. Both processes are about looking, developing a practised eye. As William Blake expressed it so well in saying ”The eye sees more than the heart knows”.
-
Tunnel Vision
Maybe too the use of dark colour, deep violet and grey through to black also reflects what I characterise as a Durer figure of death sitting on my shoulder. However, my belief in art sustains me and I have started working on the next paintings.
patrickgoff.com 