Category: drawing
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Autumn Lives
Autumn. The heating goes on again. Sunrise is after breakfast. The first gales blow more and more leaves off the trees. Rain starts to be more frequent, harder, sometimes horizontal. Long coats appear, the barber talks of wearing his Barbour when he walks his dog
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Another day, another poppy
I use acrylic, and my palettes are old plates. I have discovered that acrylic paint will stay wet on the plate for days if it is covered – except for the colour you need, mixed and used yesterday, which of course dries out and can only be mixed again with great difficulty…
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A Second Growth of Honeysuckle
As I work towards the latest exhibition there continue to be differing strands through the work. This latest painting follows the path of the grid paintings, but my mind is now turning to large scale drawings again, as I did for the Sunlit Wave series (also to be in the Seaford October 2016 show) and…
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“Nameless, Unreasoning, Unjustified Terror “
I’ve survived the turmoil of the last eighteen months by focussing on my painting, despite the frustration that every time I start to become totally involved with it, I spend time in hospital again. It is inhibiting to be not fully fit as for me drawing has become a fully immersive physical experience
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Creative Compulsion
Keeping the creative activity moving steadily along rather than in disjointed fits and bursts has been difficult with painful and intrusive medical procedures getting in the way. Not least these have impacted mentally. Strange how physical the activity of painting is for me and how much ill health impedes the activity. I can understand something…
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A Practised Eye
Photography has an immediacy that drawing and painting doesn’t. But they are not mutually exclusive but are part of the weave that makes my creative cloth. Both processes are about looking, developing a practised eye. As William Blake expressed it so well in saying ”The eye sees more than the heart knows”.
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Ditchling Museum of Art and Craft
The Ditchling Museum and Gallery came close to winning major design awards for the conversion, and is a pretty charming building, sensitively converted and extended to form a fine small space. Endowed by the Sackler Trust the museum will feature a steady stream of shows devoted to one of the most famous residents of the…
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In a Mad World
Sandberg died in 1984, a true creative and social hero. The show shows both the man and his work. It is small but beautifully formed and makes the trip to the de la Warr Pavilion well worthwhile
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The Cat Sat
As students at Corsham each year we had to empty our studio spaces, scrape the floors and paint the spaces – floors grey, walls white – ready for the end of year show. Whilst I started off my studio with the grey floors and pristine white walls I think the space will have to be…
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Going through a Purple patch
My art is intended to reflect a view of reality, but the writing extends this through process outside the studio, sharing my visual world through
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The Bridget Riley of the Shingle
On #Seaford seafront I find all this present, almost as a standing art joke to be enjoyed over and over on my walks. It seems to me that part of the rǒle of the artist is to represent realities that are around us as they see them, and in turn make us look differently at…
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Chicago Style
Arguments still continue about Wright’s use of colour, and a long debate raged around his 1959 Guggenheim Gallery in New York, now painted white although the belief was that it was originally a buff colour (photo dates from 1976). Like his own home the Guggenheim was designed from the inside out.
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