Category: drawing
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Sunset Colour Cliché Conundrums
Using large prints of the photographic images I collage the sunset realities with my interpretations in oil pastels. In turn the oil pastels are also photographed to give a commonality of paper, size, texture and colour quality for the collages.
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A Riot of Colour
I work on paper on the wall using oil pastel, and the scale is important as it has to be large enough to contain the energy of the stroke of the arm and the intensity of the colour application. Using pastels enables me to mix colour in an almost pointillist way in the sense that…
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Cancer and Honeysuckle
The success rate for this Cancer treatment is a staggering 80%, good news for me. It was during one of these bouts of post treatment weakness that I sat in the sun amongst the honeysuckle in the back garden, giving rise to this latest painting.
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Snap Judgements and an Innocent Eye
The use of technology is reinforcing my interest in the nature of the mark. Much as when I screen-printed I became interested in how different meshes changed the nature of the print so I am beginning to experiment with different ways in which the printer or the printed image can be ‘abused’ to fuse with…
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Learning the Visual Language
College experiments from the 1960’s to confirm learning about colour using light modulars and stage lighting gels, photography. Advancing and recessive colour demonstrated
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Honeysuckle Fun
Analysing colour and form through photography and drawing . Honeysuckle the subject, mixing the digital image and the auto-graphic mark
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Walking Wounded
The dangers of physical and emotional ‘burn-out’ for the creative mind. Creativity needs nurturing. As Picasso is supposed to have said, ‘artists are the elite of the servant classes’ but need treating with respecrt
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Paint’n Place
From Monet to Hockney – recognising that location is important to an artist’s oeuvre. Examples from my own art over the years reflecting Lancashire, London and Sussex
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Silly Season in Seaford
The frenzy started when a photographer for the Mirror saw the pictures. Although on a holiday he lives in Seaford and has himself linked into the local Coastguard, so he saw the images straight away. He rang me and persuaded me that the Mirror should have the pics ahead of any other national media, but…
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Bridget Riley at the De La Warr Pavilion
The exhibition at the de La Warr Pavilion in Bexhill-0n-Sea explores Riley’s development in a linear way from the initial disturbingly disorienting black and white images through more disturbing curvilinear colour work to the calmer more lyrical recent works.
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Honeysuckle Sun
First step always these days is the camera, which I use instead of drawing. This image was taken with a Canon 100mm macro lens, which is stunning for flower pics. The range of colour is wide
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Grid Lock
We use grids daily. Sometimes we don’t recognise them as grids, such as in a car park. Sometimes we label them with other names such as ‘cells’ when in a spreadsheet for example, or ‘apartments’ in a block of flats. Pixels in digital imagery work as a grid. Grids provide a framework for colour
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