by Patrick | Apr 20, 2021 | art, art as language, drawing, education, Lifestyle, Op Art, painting, photography
With over 50 now works completed my fascination with the rusting sea defences on the Cuckmere and at Seaford’s Splash Point continue. Initially it was the metal plating and its changes in colour under the impact of tides that were the driver, but the more I have...
by Patrick | Mar 20, 2021 | art, art as language, drawing, education, Environment, Garden, Lifestyle, Op Art, painting, photography
“So far, though I haven’t looked closely, the aesthetic dimension of NFTs is the least interesting thing about them, in the same way that you’re probably not so interested in the design of a large-denomination banknote, or the font of an artist’s resale rights...
by Patrick | Jan 29, 2021 | art, art as language, education, Environment, Lifestyle, painting, wilderness
Like many artists I had an exhibition pulled in the pandemic. The gallery remains closed and will probably still be closed until the summer, indeed may never reopen. The private sector of the gallery system, never healthy at the best of times, will retreat into...
by Patrick | Jan 6, 2021 | art, art as language, drawing, Lifestyle, oil, Op Art, painting, pastels, photography
Time for a little about how I’m working. I am fortunate to have a dedicated studio, not large but a bit bigger than the space I had as a student at Cosham in the 1960’s and large enough for a layout that has allowed me to develop a working discipline. I have the usual...
by Patrick | Dec 20, 2020 | art, art as language, drawing, Environment, Lifestyle, painting, pastels, photography, Travel
Among the many images I have collected of the #BRotS (see The Bridget Riley of the Shingle for explanation) are images of the defences at the mouth of the Cuckmere, part of a system aimed at protecting the internationally famous and genuinely iconic Coastguard...
by Patrick | Nov 23, 2020 | art, art as language, drawing, education, Environment, Garden, Lifestyle, Op Art, painting, pastels
With the BRotS #20 completed it was time to move on to canvas. You’ll know from my previous piece how I see the division between the research works on paper and what I regard as the more formal realisation of ideas on canvas – the mythmaking and then the ritual....
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