by Patrick | May 16, 2019 | art, art as language, Design, education, Environment, Lifestyle, painting, photography
“The artist has one role: to see on behalf of other people. Each tries to make small steps forward in seeing for he is the one whose eye and brain should be in union and accord” says Tom Philips RA in Tom Philips, ‘Words and Texts’ Thames and Hudson 1992 I spent many...
by Patrick | May 7, 2019 | art, art as language, Design, drawing, Lifestyle, Op Art, painting, photography
Another artist recently asked “where are the squares…. have you finished with them?!!” I was aware that through the last few paintings the squares have diminished and then appear to have vanished as I started the ‘Peg’ series, but as I peg out my new line, have the...
by Patrick | Apr 28, 2019 | art, art as language, drawing, education, Environment, Lifestyle, Op Art, painting, photography
A while ago I wrote about seeing art around me. Probably a major part of that vision is my training and 50 years of experience in the art and design business. It is not a secret world though, but one that everyone can enjoy. Picasso talked of the child like innocence...
by Patrick | Feb 19, 2019 | art, art as language, Design, education, Lifestyle, painting, photography
My Workshop experience Understanding workshop experience of nearly 100 years ago without access to original sources is difficult. My own experience probably stands in stark contrast with that of a student at the Bauhaus. Life would have been very different for a...
by Patrick | Feb 9, 2019 | art, Design, drawing, education, painting, photography
Death of a Dream In looking back at how the Bauhaus influenced and guided my own artistic, design and teaching practice I have come to realise that in the UK the art colleges are dying. The students are as bright and clever as ever, but the system is inimical to the...
by Patrick | Feb 2, 2019 | art, art as language, Design, drawing, education, Op Art, painting, photography
Part Three – Colour and Albers In addition to Schlemmer’s rules on the body through his life drawing classes ( and Griselda Pollock presents a coruscating analysis of this in feminist art history), there are other guidelines that create constraints to kick against,...
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