by Patrick | Feb 22, 2022 | art, BRotS, Environment, Lifestyle, Op Art, painting, photography, wilderness
Its quieter now. We are I guess, some 400 yards from the beach, and the persistent thunder, a little like traffic noise, has gone. The sun is shining, and the weathermen and women can stop panicking until the next stiff breeze comes along. My admiration for those who...
by Patrick | Dec 3, 2021 | acrylicpainting, art, art as language, BRotS, Environment, Op Art, painting, photography
In my last piece To See or Not to See I talked about photography. It was of course the driver behind much of the change in artistic perception, from Muybridge to commercial soap adverts (Bubbles), all building and subtly altering the way people see or use their...
by Patrick | Oct 2, 2021 | acrylicpainting, art, art as language, BRotS, drawing, Lifestyle, Op Art, painting, pastels, photography
For over eighteen months I have been working from images of my local sea defences, fascinated by the complexities of colour and texture generated by their decay. Sheet metal supposedly protecting the concrete structure that in turn protects a sewer treatment outfall,...
by Patrick | Sep 1, 2021 | acrylicpainting, art, art as language, BRotS, Design, drawing, Environment, Lifestyle, Op Art, painting, pastels, photography
During ArtWave 21 I have been asked to participate in the ‘Celebrate Cuckmere’ exhibition at the South Hill Barn, a newish venue in the South Downs National Park on the edge of Seaford, because of the work and essays I have written about the sea defences...
by Patrick | Aug 5, 2021 | acrylicpainting, art, art as language, BRotS, drawing, Lifestyle, oil, Op Art, painting, pastels, photography
For almost a year I have worked through the paintings on paper and canvas (drawings and canvases?) producing 14 canvases and some 60+ works on paper. Immersed in the process I have changed my techniques and the way I use paint. Strangely I think the initial impulse...
by Patrick | Jul 10, 2021 | acrylicpainting, art, art as language, Design, drawing, Op Art, painting, photography
As a first-year degree student I found myself in a small group being challenged by Michael Kidner and his partner in crime Adrian Heath to create a ‘light modular’ in which pairs of colours of the same tonality would, when photographed in black and white, show as a...
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