by Patrick | Jan 2, 2021 | art, art as language, drawing, Environment, Op Art, painting, pastels, photography, Uncategorized
It has been a while since I walked down to Cuckmere Haven. During COVID lockdown I kept hearing rumours of it being overrun with visitors and the road up to my usual parking place, Seaford’s Barn, was jammed with cars. Then I began to hear from friends, aware I was...
by Patrick | Dec 20, 2020 | art, art as language, drawing, Environment, Lifestyle, painting, pastels, photography, Travel
Among the many images I have collected of the #BRotS (see The Bridget Riley of the Shingle for explanation) are images of the defences at the mouth of the Cuckmere, part of a system aimed at protecting the internationally famous and genuinely iconic Coastguard...
by Patrick | Nov 23, 2020 | art, art as language, drawing, education, Environment, Garden, Lifestyle, Op Art, painting, pastels
With the BRotS #20 completed it was time to move on to canvas. You’ll know from my previous piece how I see the division between the research works on paper and what I regard as the more formal realisation of ideas on canvas – the mythmaking and then the ritual....
by Patrick | Nov 13, 2020 | art, art as language, drawing, Environment, painting, photography
“Another example from the average surfer’s perspective: imagine a 20-inch thick wave lip, only 3.2 feet wide, in a summer three-foot wave. Total weight? A solid 1100 pounds.” From ‘SurferToday’ The waves start in the...
by Patrick | Oct 14, 2020 | art, art as language, drawing, Environment, Lifestyle, Op Art, painting, photography
Working the squares to explore colour and texture has unlocked a way forward for me. The drawings for the Harbour Wall painting were building on experimentation from the poppy series as I outlined in ‘Moving Forward’. Whilst I looked back thinking the analysis showed...
by Patrick | Sep 21, 2020 | art, art as language, drawing, Environment, oil, Op Art, painting, pastels, photography
Working through the ideas around the imagery of the lavender, I realised that the way I was approaching the colour and the way I was approaching the structure of the painting I was sliding into a second version of the border ‘Geranium’ painting from some years ago....
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